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What if they hadn’t allowed egos and money to come between them? What if they had spent more time in the studio and less time partying? Today, 15 years after their split, the bandmates are writing new material and spending their summer on tour. There remains the specter of what might have been. The experience was marred by the collision of five strong, if not fully mature, personalities.
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“My biggest regret in life,” says guitarist Jane Wiedlin, 41, with a hint of bitterness in her Judy Holliday voice, “is how little I enjoyed the Go-Go’s experience.” But none has achieved the commercial success they had together and, it seems, took for granted. Since the band dissolved, each member has enjoyed playing either solo or starting lesser-known bands. Carlisle’s voice, with its crisp, West Valley enunciation and range that rarely dipped below that of a school-choir alto, only encouraged these fantasies. For Angeleno girls of a certain age, the Go-Go’s were a point of civic pride: They proved you could grow up right here and become a rock star.
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1 spot, but they were the first to crack even the top 100. Moreover, they were forever linked to one another as pop pioneers: Not only were they the first all-female band with an album to hit Billboard’s No. To the public, the Go-Go’s were a clique of spirited, guitar-wielding California girls who had more in common musically with the Beach Boys and Shangri-Las than with the synth-pop acts that dominated ‘80s New Wave. It took me years to find my own musical identity.” “It never occurred to me that it would end,” says Valentine, the bassist, now 41. But after just five years, before ever running up against the paradox inherent in those beliefs, the band imploded. Second, that they couldn’t imagine doing this job past age 39. In the earliest days of the Go-Go’s, the band’s five members, each barely beyond her teens, believed two things: First, that they would never break up.
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Voila! “Fashion regression,” says Carlisle, 42, referring to the garbage bags she sported onstage at L.A. Valentine comes to the rescue with nail scissors. While they admire her daring, Carlisle’s bandmates declare the poncho unflatteringly long. She fastens the sides of the poncho and slides into black heels. “Paul, I need a stapler,” says Carlisle, smiling sweetly. He seems newly on alert, trying to anticipate their demands. Though he has lived much of the last two decades in buses with such bands as Run-DMC and Joan Jett and the Blackhearts, Spriggs has never toured with five women in their 40s. Lead singer Carlisle, who ditched her planned ensemble because of the downpour, calls for their tour manager, Paul Spriggs. From their dressing room, they peek at the crowd, mainly uniformed sailors on shore leave getting drenched. Days before their concert tour is to begin in Detroit, the Go-Go’s have agreed to play a handful of songs on an outdoor stage in Times Square as part of the city’s Fleet Week festivities. Kathy Valentine is contemplating a suntan from a bottle and Belinda Carlisle is naked, save for a lace thong under an NYPD-issued blue-plastic rain poncho.